It was virtually impossible to get close enough to hear the band, and Dizzee Rascal's practically unamplified guest spot looked like a bizarre, mumbling stage invasion. An early one-two of Brianstorm and Dancing Shoes sets the pace at breakneck and a lean, mean Fake Tales of San Francisco, an early rarity full of hookers and drug casualties, sends the crowd into paroxysms, as does a haunting orchestral version of Mardy Bum. When the Arctic Monkeys first headlined Glastonbury in , they were at the peak of a dizzying rise that they themselves could barely comprehend — the fastest-selling debut album ever, universal critical adoration, a fanbase multiplying like ebola in a dodgy fajita. Order by newest oldest recommendations. Loading comments… Trouble loading? It's the older Monkeys classics, though, that turn back time to re-create the celebration that their set should have been. Show 25 25 50 All. 
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Six years later, the Monkeys are a changed band. As Glastonbury virgins, they treated the world's biggest festival with the same nonchalant naivety with which they'd conducted their entire career, and with the added issues of an enormous crowd and 's ultra-sensitive perimeter sound limiters, it made for a distant and underwhelming experience. Bjm the older Monkeys classics, though, that turn back time to re-create the celebration that their set should have been.
MARDY BUM LIVE CHORDS by Arctic Monkeys @
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Show 25 25 50 All. Threads collapsed expanded unthreaded. When the Arctic Monkeys first headlined Glastonbury inthey were at the peak of a dizzying rise that they themselves could barely comprehend — the fastest-selling debut album ever, universal glastonbuy adoration, a fanbase multiplying like ebola in a dodgy fajita.
It was virtually impossible to get close enough to hear the band, and Dizzee Rascal's practically unamplified guest spot looked like a bizarre, mumbling stage invasion.
S econd time lucky, then? The ghost of is laid to rest, Glastonbury is fittingly honoured, and the Monkeys finally earn their Glastonbury stripes.
Arctic Monkeys at Glastonbury – review | Music | The Guardian
They've embraced the current trend for pre-Beatles rock'n'roll wholeheartedly, Turner even introducing the band ahead of the moody Brick by Brick, sung by drummer Matt Helders, like the cockiest of Johnny's Moondogs. Alex Turner has already set about ingratiating himself with the festival by guesting with his erstwhile partner in the 0213 Shadow Puppets, Miles Kane, earlier this afternoon, but as he takes to the Pyramid Stage for the Monkeys' headline slot, piling straight into the bluesy electronic throbs of new single Do I Wanna Know in a sharp striped suit and teddy quiff and throwing the odd karate beckoning motion, there's a real sense of points to be proved.
The conditions are little more favourable than — the crowd is just as monumental and the big screens largely inadequate, showing either grainy, monochrome boxes on each of the band or nothing at all — but the band is fired up and bolstered with intent. An early one-two of Brianstorm and Dancing Shoes sets the pace at breakneck and a lean, mean Fake Tales of San Francisco, an early rarity full of hookers and drug casualties, sends the crowd into paroxysms, as does a haunting orchestral version of Mardy Bum.
Now resident in LA and beefed up by working with Queen of the Stone Age's Josh Homme in his desert studio, they're a more powerful and accomplished act with a greater understanding of Glastonbury's stature.
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